The last fifteen years, and especially parallel to the increasing datafication of everyday life, an emerging scene of network practitioners from different fields has been actively involved in building alternative networks of communication and file-sharing. Among the practitioners of this DIY networking scene, a growing number of artists have been playing a crucial role offering alternatives and critical perspectives. The aim of this paper is to present and discuss these particular initiatives, while locating them within a context and relating them to the needs of the particular time-period.
